If you are planning a trip to Norfolk or Suffolk this year and want to do it old school, that is not wandering around waving your phone about, hoping to connect with Google maps, then these compact yet comprehensive guidebooks will please you.
The concept of ‘slow travel’ is simple: it seeks to free itself from the increasing domination of tourist listicles and encourage travellers to seek out a sense of place wherever they go. It’s not just about ticking off landmarks. Slow Travel wants us to meet people, to immerse ourselves in the natural lay of the land and to free ourselves from imposed timetables.
Both travel guides kick off with a regional map highlighting useful towns to base yourself in. The counties are divided into geographical regions for ease of navigation and each regional section kicks off with a map. Stopping-off points are highlighted and each featured walk comes with its own map. There’s information on public transport, good advice as to how to proceed on foot, suggestions for places to eat, drink and stay and reams of local history. Laurence introduces us to the people who live and work in East Anglia and those artists and writers who have visited and been inspired by the region.
There’s some really good book releases this spring, rippling with themes universal to us all from parenting and childhood discoveries to the impact of seismic news events and difficult personal choices. Landscape, travel and nature writing is particularly strong this spring and I have chosen books by writers who transcend this genre, weaving together fact and the psychology of place, time and person, creating a conscious form of historiography.
A few of my favourites are set in the American south, and some of you will know that I have a particular yen for the darkness, quirk and rich history of this part of the world. Chandler Alexander’s The Makings of a Fatherless Child is one such story, a compelling coming-of-age tale of a young boy, Amel River who lives in the Mississippi Delta. He contends with a broken home, poverty, a lack of a father and a voice in his head that won’t go away. Whilst stretching his neck towards adulthood, he is aided by a variety of interesting characters which include a two year old child and a drunken stranger. And where would a story set in the Delta be without a drunken stranger? Out now.
My second novel is GodPretty in the Tobacco Field by Kim Michelle Richardson, a story which laces beauty, love and sweetness with the hardscrabble existence of tobacco farming in Kentucky during the dying days of the sixties. Ruby Lyn Bishop was orphaned at five years of age but has lived since then with her God-fearing uncle Gunnar. As she passes her sixteenth birthday, she is beset with dreams and wishful thinking about her own fortunes after years of making intricate paper fortune-tellers for the townsfolk.If you are a lover of intricate plots set over a small period of time and adore the southern sense of place, this book is for you. Out April 26th.
Fans of Helen Simonson’s first novel, Major Pettigrew’s Last Stand, have been eagerly awaiting her next novel and in The Summer Before The War, we can once again enjoy the quietly moving and capable storytelling that made her first book so enjoyable. It’s 1914 and the last days of a beautiful Edwardian British summer in East Sussex but a stranger is about to arrive in the village. When Agatha seeks to engage a woman as the new Latin teacher, Beatrice Nash is the result, and she is far more free of thinking – and attractive – than anyone believes a Latin teacher should be. As the village prepares for the Great War, other conflicts rise to the fore as some very British traditions are tested. Out March 24th.
All families have their myths and legends and when your family is well-known, sorting out the truth from hyperbole and hagiography can be very challenging. The Nicholson family are well-versed in telling their own story and now it is Juliet Nicholson’s turn in her book, A House Full Of Daughters. She converts her previous acceptance of her complicated family history to intricate, questioning research and in the process, tells a vivid story which roams from Malaga in Spain to the salons of fin-de-siècle Washington DC; from an English boarding school during the Second World War and sexy Chelsea in the 1960s to the bankrupt, and decrepit New York City in the eighties. Then there’s the Nicholson women: her flamenco dancing great-great-grandmother Pepita, the flirty manipulation of her great-grandmother Victoria, the infamous eccentricity of her grandmother Vita and her mother’s Tory-conventional background.This is a delicious book. Out March 24th.
Onto a different house and two different families in The Two Family House by Lynda Cohen Loigman, where, on a snowy Brooklyn night in 1947, two women, sister by marriage and friends by choice, give birth. Helen and Rose are married to brothers Abe and Mort and the two families share a brownstone. Tightly wound around an explosive secret and with complex family dynamics which become known to us over a long period of time, the multiple perspectives can at times feel a little unbalanced but on the whole, this is a highly readable and deft exploration of family life. Out March 8th.
This new anthology of previously published writing by Pulitzer Prize-winner Annie Dillard is the sum total of a woman who is relentlessly and forensically alive and in The Abundance, Dillard shines a beautiful light on the everyday, asking us to drop our casual acceptance and re-engage anew with the world around us. She makes us notice through the application of her poets soul, philosophers mind and artists pen and enchants via words which pin down a series of images onto the page: lunar eclipses, leaves, moths to flames and the magnificent sight of birds in flight all catch her eye, and, in turn, ours. As we read, she tasks us to ask ourselves why, how, where and what does the minutiae of my own place in the natural world mean to me? If you’ve never read her, this is the perfect introduction to a writer who is admired by landscape and nature writers everywhere. Out April 7th.
In Rain, Melissa Harrison explores the relationship we have with the weather as she follows the course of four rain showers, over four seasons, across Wicken Fen, Shropshire, the Darent Valley and Dartmoor. Particularly pertinent to the British who enjoy a good conversation about the weather, Harrison weaves a meditative pathway through all manner of ologies and disciplines: botany and biology; literature and philosophy; geography and psychology to gently encourage us to engage with rain instead of merely grumbling about it. Also included is a meteorological glossary with common terminology such as cloudburst (“sudden, intense rainfall of short duration”) and the esoteric regional words for all things watery from the skies, similar to that employed by Robert MacFarlane in his recent book, Landmarks. Her level-headed gaze ranges from the earthly: germinating seeds and rain-sodden earth, to the sensory [and scientific] delights such weather causes. Her contemplation of petrichor- the particular aroma after a rain shower is particularly delightful. Coined in 1964 by Australian scientists studying the smells of wet weather, petrichor is derived from two chemical reaction when oils secreted by plants during dry periods are released into the air because of rain. Chemicals produced by soil-dwelling bacteria known as actinomycetes are also released and these two aromatic compounds combine to create petrichor. If you aren’t thoroughly charmed and intrigued by this, then I can’t help you.
I adored The Language of Baklava, Diana Abu Jaber’s previous memoir and in her new memoir,Life Without a Recipe, I am re-acquainted with her funny, warm and poignant writing about creating a family on one’s own terms. As Diana honestly acknowledges, building confidence in one’s own path sometimes takes a mistaken marriage or two—or in her case, three and there are many rows between Bud, her flamboyant, spice-obsessed Arab father and Grace, her sugar-fiend of a German grandmother. Bud and Grace could not agree on anything to do with Diana and her life choices, whether they be food, family, who to love and how to love. Caught between cultures and lavished with contradictory “advice” from both sides of her family, Diana spent years learning how to ignore the well-intentioned prescriptions of others and forging her own, at times imperfect, path. Out April 18th.
Going to NYC soon and want to find out more than the best place to shop? The Chronicles series takes a look at the history behind some of the most fascinating cities in the world and now they have published an edition about this most famous of cities. Each book introduces the major characters that shaped the city, then offers comprehensive walking tours to bring its words to life. In Chronicles of Old New York: Exploring Manhattans Landmark Neighborhoods, author James Roman, a native New Yorker, walks us around the many neighbourhoods and amuses us with anecdotes about those quirks of history that have helped shape the city such as which park lies over a sea of unmarked graves. The inclusion of historical maps and photographs helps bring visionaries, risk-takers, dreamers, and schemers such as John Jacob Astor and Gertrude Whitney to life, showing how they left their mark on a city and continue to shape its development after their deaths. Out April 1st.
Helen Stevenson’s memoir Love Like Salt is a poignantly beautiful account of what it is like to be the mother of Clara, a child with a chronic illness. Despite the sadness of her daughters diagnosis of cystic fibrosis, this is an uplifting book which describes how Helen and her family are able to triumph over adversity in many forms. Helen is a translator and she uses her own profession to reinterpret the strange landscape of biology and illness. The story is set against a backdrop of music and art and literature which soars over and beyond the confines of the CF diagnosis and the bullying her daughter experiences at school in France. The family moves back to the UK which is where we leave them, all of us cautiously optimistic that Clara will continue to prevail over this awful disease which, as of yet, remains incurable. Out now.
Remaining with the mother and daughter theme but fictional this time, Jennifer S Brown’s debut novel, called Modern Girls, takes us to New York City in the thirties, at a time when national socialism is on the rise in Europe and women of all ages are starting to define themselves outside of the home. It’s 1935 and Dottie Krasinsky is the epitome of a modern woman, employed as a bookkeeper, a boyfriend in tow, but living still with her Yiddish parents. When she becomes pregnant, she has to face the fact that her options are still very limited. Then there’s Dottie’s mother who is dying to get back some of the fire in her belly, lost to years of childrearing. Her own situation bears uncomfortable parallels with her daughters when she too faces an unwanted pregnancy. Brown has written an eminently readable ages-and-stages story, set in a time when greater freedom and choice loomed tantalisingly close for women. Out April 5th.
Learning about experiences far removed from my own particularly appealed in Anju Joseph’s The Living, although its themes of discipline through work, the pleasures and rewards of long-term friendship and the tension between the joy and tedium of family life are universal. Claire is a young single mother working in one of England’s last surviving shoe factories, her adult life formed by a teenage relationship. Arun, an older man in a western Indian town, makes hand-sewn chappals at home. A recovered alcoholic, now a grandfather, he negotiates the new-found indignities of old age while returning in thought to the extramarital affair he had years earlier. This is a novel which rewards you for looking closer until you can clearly see the eddies and currents that lie beneath waters that seem, upon first glance, to flow seamlessly. Out now.
I have linked to the authors own page, or to the publishers because I will not link to Amazon. Please order these books through your local booksellers, where at all possible. They need our support and our love. All reviews are honest and have not been solicited.
Coming soon: the best food writing and cook books this spring.
The countryside and small scale urban landscapes of Suffolk have long seduced those of a creative bent with artists and writers taking inspiration from this county, situated as it is on the edge of the English landmass, punctuated by towns and miles of rolling fields and quilted by waterways. We take a look at some well known and others, less so.
Arthur Ransome has a long and renowned association with Suffolk, using it as both backdrop and inspiration for his children’s books. The Ransome family moved to Suffolk in 1936, and they lived at Broke Farm on the banks of the River Orwell where Pin Mill harbour could be seen from his window. Ransome moored his sailing boat, the Nancy Blackett here.Made famous in his novel, ‘We Didn’t Mean to Go to Sea’, the Butt & Oyster Inn on the banks of the Orwell and downriver from the mighty Orwell Bridge, overlooks the smugglers haven of Pin Mill, one of Suffolk’s most romantic landscapes where time and tide meet twice daily on a spit of land between the rivers Orwell (which inspired a pen name for George Orwell) and Stour. The waters infiltrate this strangely porous landscape with its fimbrels of mud-flats and saltings. The breeze carries a salty brackish-tang of mud that mingles with the honey scent of the gorse-covered headlands and their ridge-line stands of pine and oak. This pub serves local, seasonal food, good ales and provides a resting place for walkers, tourists and locals who still earn their living off the river. The landscape appears little changed from Ransome’s time and thank goodness for that- we all need to feel we can go back to a less complicated time even if beer prices are a sharp reminder that we are no longer in 40’s England.
The young adventurous protagonists of Ransome’s book were staying at Alma Cottage; located right by the Butt & Oyster pub and he had his own boats built at Harry King’s yard although his home was actually high up on the opposite side of the Orwell, at Levington.
Ransome’s first Suffolk based story, We Didn’t Mean to Go to Sea, tells of an unintended voyage across the sea. The Swallow children have promised their mother they will play in the safe confines of the harbour, but their boat, the Goblin, loses its anchor and drifts away in a fog. The children end up sailing across the North Sea to Holland. In tribute, an annual sailing race now takes place from the sailing club at Pin Mill. In the second book, Secret Water, the Swallow children are once again in a pickle, marooned on an island with a small boat and end up charting the area of islands and marshes which, in reality, are south of Pin Mill at Hamford Water.
There are plenty of folks who live on the river at Pin Mill and quite a few houseboats tilting on the mudflats when the river runs low, slowly righting themselves as the tide turns and refloats them: the red sailed Thames sailing barges are also a common sight at Pin Mill too as they were once built here. Last summer (June 2014), Julia Jones, the owner of Ransome’s boat ‘Peter Duck’ brought it to Suffolk for the Felixstowe Book Festival and I had the great pleasure of seeing up close, the craft that bravely sails the pages of Ransome’s books. Keep an eye out for future visits next year, hopefully.
The Stour and Orwell Walk at Pin Mill is a well-known (and signposted) trail that loops around Woolverstone Hall and the Park that surrounds it, essentially in the shape of a figure of eight, taking walkers over sleeper bridges and past those mud flats and saltings; through spinneys, woodlands, meadows and scrub, rising up to the Pin Mill cliff plantation and skirting the tiny village of Chelmondiston, before returning you to your start point- The Butt & Oyster Inn. The pub overlooks the boatyards which edge Pin Mill Common on both sides and makes a logical and scenic place to start or finish at although if you like a drink, it might be best to wait until after that walk- the fireside seats and sunny warmth streaming through the picture windows overlooking the water makes it hard to get up and get going. If the weather is inclement, sit by the window with your book and watch the wheeling gulls, sent upriver by rough seas as they set down, then take off again from the maram grass covered islands and shores of this beautiful part of Suffolk.
The west and south of the county boast many fine examples of buildings and churches built by wealthy wool merchants of which Lavenham is probably the most famous of all, but how many of you also know that the village has a direct connection with the nursery rhyme Twinkle, Twinkle, Little Star and its composer Jane Taylor (1783–1824), an English poet and novelist? Jane and her family made their home at Shilling Grange in Lavenham’s Shilling Street and Twinkle, Twinkle was originally published under the title The Star in Rhymes for the Nursery, a collection of poems by Taylor and her older sister Ann. The poems were a special commission by the publishers Darton and Harvey and Twinkle’s simple verse belies the skill required to capture the tender relationship between a mother and her child as she introduces it to a universe beyond the nursery walls. In her autobiography, Ann, Jane’s sister, alludes to this skill as she reminisces about Jane describing her own writing process: ‘I try to conjure some child into my presence, address her suitably, as well as I am able and when I begin to flag, I say to her, “There love, now you may go”’.
It is not known if the poem was actually written in Lavenham or indeed, inspired by its West Suffolk night skies and many scholars claim that the poem was written in Colchester, where the family moved to. Jane did have an interest in astronomy though and would have had fine views of the Lavenham skies from the attic windows which her brother noted:
“The window commanded a view of the country and a tract of sky as a field for that nightly soaring of the fancy of which she was so fond,” Isaac wrote in 1825.
The two little girls attended dance lessons at the Swan Inn (now the Swan Hotel) tutored by an 18-stone dancing master from Bury St Edmunds and their father, a noted engraver, painted both children against the bucolic backdrop of their garden back in 1792. This portrait is now owned by the National Portrait Gallery although it is on long-term loan to the Bath Preservation Trust and is hung in the Georgian setting of the drawing room at 1, Royal Crescent, Bath.
The Taylor sisters were fairly prolific, publishing several volumes of tales and rhymes for infants but Jane died early aged forty of breast cancer on April 13, 1824 although her work continues to attract visitors to the village and particularly Japanese tourists who are especially entranced by this magical little poem and like to see the house its author lived in, now owned by the National Trust who have staged exhibitions at the nearby Guildhall. And one more star-related Lavenham fact for you: Molet House on Barn Street is a handsome black and white Tudor building and if you look closely, you’ll see that its doorway boasts an engraved star. This is the badge of the De Veres, the local lords of the manor, and is it known as a ‘molet’ or ‘mullet’ and is said to refer to a reappearance of the Star of Bethlehem high in the skies, as witnessed by a member of the family called Aubrey the First during the Crusades. He went on to victory.
Here, he tells of this event, speaking of himself in the most self-important of tones: “God willing the safety of the Christians showed a white star ……. on the Christian host, which to every man’s sight did light and arrest upon the standard of Aubrey de Vere, there shining excessively.” It was subsequently claimed that an angel actually leaned down and threw the star onto De Vere’s standard himself, thus further legitimising Aubrey’s war efforts in his opinion.
Many places near to Ipswich are atmospheric enough to require little by way of embellishment and their stories tell themselves -stories so fantastical and magical that they defy belief. Sutton Hoo is one such place, where, in 1939 a Mrs Edith Pretty asked archaeologist Basil Brown to come down and investigate the many Anglo Saxon burial mounds on her property near Woodbridge in Suffolk. He went on to make one of the most spectacular discoveries of all time- the imprint of a 27-metre-long ship. At its centre lay a ruined burial chamber packed with treasures: sumptuous gold and burnished jewellery, Byzantine silverware, a lavish and completely intact feasting set, and most famously, the ornate iron helmet which is now the iconic symbol for the burial site and museum, although the original now resides at the British Museum.
Intensive archaeological excavations gave us wonderful insights into the lives of these Anglo Saxons: tiny fragments showed that rich textiles, dyed using plant matter, once adorned the walls and floor, along with piles of clothes ranging from fine linen over-shirts to shaggy woollen cloaks woven to keep out the searing winds blown straight here from Siberia and caps luxuriantly trimmed with fur. The dead man’s body had dissolved in the boggy acidic peat which was composed of soil enriched by centuries of decaying bracken, but he was clearly a person of great standing in the kingdom of East Anglia. He may even have been a king, ruling over the hardy souls that once carved out a living from this harsh and inhospitable land.
The Sutton Hoo ship burial provides remarkable insights into early Anglo-Saxon England. It reveals a place of exquisite craftsmanship adhering to the highest of standards and benefiting from far-reaching international connections which spanned Europe and beyond. It also shows that the world of glittery treasures, cavernous reception halls and strong, formidable warriors described in the poetry of the Anglo-Saxons was not a myth. This story forms the inspiration for the children’s book, Gravenhunger by Harriet Goodwin, a sinister tale of a house inherited by Phoenix after the death of his Mother. The house and grounds hint at the secret buried within and the reason why their existence was kept secret from the boy and his Father. This idea of things not being what they seem and of small secrets growing into huge, life changing ones have clear parallels with the amazing Sutton Hoo discoveries-a Suffolk treasure visited by thousands of school children from all over the world who love the interactive displays and the chance to dress up. Take a copy of ‘Beowulf’ and recite it aloud to the kids: this dramatic piece of prose perfectly suits dark and stormy East Anglian winter days where you can declaim loudly into the wind in a kingly (or queenly) manner.
Suffolk has always been a place for migration. We began as the indigenous ‘South Folk’ whose toughness and shy self-reliance became hard-wired through centuries of fighting off challenges by land-grabbing invaders such as the Danes, Angles and Norman nobility. You can see why our county sea-borders are home to such a compelling mix of people and the county town of Ipswich, with its history as a busy working port and status as county seat, has always attracted economic migrant workers from all over the world. The Orwell River was once a prime trading route between Ipswich, the European mainland and the rest of the country and in the Middle Ages, the wool produced by wealthy East Anglian merchants and farmers was exported via Ipswich whilst hemp, coal, iron and timber was brought in. The once bustling docks area is now slowly being restored although the waters bob with yachts and houseboats now instead of the merchants ships that once plied their trade there.
Themes of migration, strangeness and change lie at the heart of 22 Britannia Road’ by Amanda Hodgkinson, set in Suffolk because the writer loves the area, having spent much of her life here as she saidin an interview with a regional newspaper:
“Living in France and writing it, I had a kind of mythical Ipswich in my head. I’ve never actually been to Britannia Road but the title, with its sense of place and pomp and circumstance for a foreign family, has a level of irony I really liked. It’s a poignant address.”
With a well-established Polish community, Suffolk (and the county town, Ipswich) provides a backdrop to the story of Silvana and eight-year-old Aurek who board a ship to England, where her husband Janusz is waiting in Ipswich. However, after years living wild in the forests – simply surviving, and also nursing a dreadful secret, Silvana is no longer sure quite who she is inside. Suffolk saw large influxes of immigrants and Londoners after the war, displaced by bombing and bad economics and the promise of a bucolic life in the countryside. The reality was rather more complex though as Amanda says;
“I’ve always felt a real empathy with that generation, and seeing how people coped. What you do when you’re suddenly told you can go back to ‘normal’ – how you pick up the pieces – has interested me.”
Ipswich docks are undergoing regeneration and now bustle with a different kind of economic activity from their earliest incarnation (they first took shape in Anglo Saxon times). In a place where merchants once traded and dock workers hefted cargo onto the rust encrusted decks of the great ships that sailed between Britain, Europe and the rest of the world, the docks are now populated by sailors working on sleek pleasure craft. There are some fishing fleets still, sturdy and stout hearted as they putter in and out of their berths but the biggest change is in the crowds of locals, here to eat and drink and to live in flats on the redeveloped warehouses and wharves. At night, lights blaze not from the returning fishing boats but from the bars, restaurants, hotels and businesses that have migrated here. It is beautiful and has yet to reach its full potential, a very different one to its original purpose.
With its long and noble maritime history, one of our choices for a great place to eat and drink here was always going to be afloat and Mariners Restaurant is situated on a beautiful craft berthed on the newly redeveloped Ipswich marina, surrounded by sympathetically restored brick built warehouses and some maritime related businesses. The Mariner was built and launched in 1899 as the gunboat SS Argusfor the department of the Belgian State. Recommissioned in 1940 by the Belgian navy, it was sunk, raised and subsequently re-repaired by the Germans who returned it to the Antwerp based owners in 1945 and then rechristened as Flandria VII.
Sri Lanka, Dunwich, Orford and Ipswich all appear in Rona Tearne’s book, ‘The Swimmer,’ a tale of a relationship between a woman and a young male immigrant and, appropriately for such a watery region, swimming and immersion in water forms theme, metaphor and subject for a dreamy story of 43-year-old Ria (who lives alone in the cottage she loved as a child) who spots a young man swimming in the river at the bottom of her garden in the moonlight. Ben is a Sri Lankan doctor seeking asylum in Britain and while he awaits news from the Home Office, he works illegally on a local farm in return for food and lodging. Despite an 18-year age gap and their cultural differences, the friendship swiftly blossoms into a passionate affair and when tragedy strikes, the repercussions are felt far beyond this small corner of East Anglia.
The delicate tensions that exist between her characters reflect the currents and eddies of the marshlands and tidal brackish waters around the region: a crepuscular and brooding backdrop. Shaped by conflict and affected by political forces in lands far beyond their surroundings, the characters learn that loss, love and regret can eddy, ebb and flow and that no actions exist in a vacuum, least not in such a mutable part of the world, shaped by immigration, where the human landscape is so very much, more than a sum of its parts. The fictional story of Ben, swimming in the stream, feeds into the rivulets of migration that in real life forms the fascinating story of Ipswich. From the Frisian potters originally from the part of Europe we now call The Netherlands who settled the Quay area in the 7th century and established the first large scale potteries since the time of the Romans, to the people arriving here from the Caribbean in the 50’s, stepping off boats like the Windrush at Tilbury before setting off downstream to Ipswich, their contribution is woven into the very fabric of the town.
In Something Might Happen, her murder-mystery novel from 2003, novelist Julie Myerson barely disguises the Enid Blyton-esque seaside town of Southwold, where she has a second home. Myerson’s storytelling again walks the line between humanity and the dark, jangling terror of what we are capable of, all set in the most domestic and cosy of surroundings, a place of aspiration and longing for the land-locked suburbanite. Yes, this coastal landscape could be anywhere in Britain, which is important for a nation of people heavily invested still in the Victorian idyll of a seaside holiday, but I see it as unmistakably East Suffolk, where miles of marshland act as buffer between land and sea. Myerson’s most recent book, The Stopped Heart, is also set in an unidentified rural part of England but again, to a Suffolk dweller the sights and sounds say unmistakably ‘home’: there’s the ‘bright, raw smell’ of a freshly skinned rabbit and the ‘smashed’ sensation one of the characters feels upon seeing the sea. There’s a move to an isolated cottage in the country and ghosts and past crimes returning to haunt us as Myerson expertly weaves together the story of bereaved Mary, newly moved to the country and Eliza, a 13-year-old farmer’s daughter, living in the same house a century earlier and addressing us directly from the grave.
Charles Dickens was a frequent traveller to Suffolk and toured the county giving recitals of his work and was also invited to open the lecture hall for the Ipswich Mechanics Institute in 1851. Sources have claimed that the Bosmere and Claydon Union Workhouses in nearby Barham may have inspired the workhouse setting and tale of Olive Twist. We know that Dickens visited and read the records of a ten year old apprentice who lived there; the sordid and inhuman conditions which triggered a riot in protest must surely have made an impression upon him?
In 1835 he stayed in Ipswich and subsequently set some of the scenes in his novel ‘The Pickwick Papers’ there- it is believed that an Ipswich woman, a Mrs Elizabeth Cobbold was the inspiration for the character of Mrs Leo Hunter in the book, depicted as a woman with pretensions for the performing of charitable works and the writing of poetry. Opened in 1518, the Ipswich hotel he was a guest at was known then as The Tavern, later being renamed the Great White Horse Hotel with meandering stairs and corridors depicted in chapter XXII. The hotel is no longer in its original incarnation and is now home to a chain coffee shop and one other store. Dickens also stayed at the Angel Hotel in nearby Bury St Edmunds (a short drive along the A14) and this ivy clad hotel, which fronts onto Angel Hill, still stands and you can stay in the very room in which Dickens slept and wrote. In Ipswich, there are plenty of good coffee shops in which to sit and read your copy of Pickwick Papers (which also mentions the Angel Hotel). Try Jacey’s Coffee House, Arlington Brasserie, Bakers & Barista or appropriately enough, Pickwicks Tearooms on Dial Lane. They all serve a decent cup of joe, plus food and other drinks.
Children may be interested to hear that the well-known nursery rhymes ‘Little Boy Blue’ and‘Humpty Dumpty’ may be satirical references to the life and fate of Cardinal Wolsey who himself was born and schooled in the town and whose bronze statue can be found at the junctions of St Nicholas, St Peters and Silent Street. These rhymes (and many others like them) served as a useful way of criticising, teasing or satirising figures of power and influence at a time when these behaviours, conducted openly would likely earn you a deadly fate, or imprisonment at the very least. Children love gory and dramatic history, as evidenced by the success of Horrible Histories and the pretty gruesome events behind seemingly innocent rhymes make perfect examples of how people living under oppression will always find a way of expressing dissent.Tell your children how the arrogance of this powerful man (who would not listen to any voice other than his own) is referred to in the line ‘Come blow your horn’ whilst ‘where’s the little boy that looks after the sheep?’ strongly implies that his ‘sheep like’ people are suffering at the hands of a self-serving and neglectful man. Humpty Dumpty references an interesting event in history, the loss by Wolsey, of his power, and by the time that this rhyme became popular, he had been charged with high treason, accused of delaying the annulment of Catharine of Aragon and Henry the Eight’s marriage. Humpty’s ‘great fall’ symbolises Wolsey’s own fall from grace. Indeed, Ipswich School lays claim to being the only school that warrants a real life mention in the works of William Shakespeare where, in ‘Henry VIII, Griffith has this to say about Cardinal Wolsey: “Those twins of learning that he raised in you, Ipswich and Oxford! One of which fell with him.” Further Wolsey related commemoration can also be found at 47 Nicholas Street where the Ipswich Society has mounted a blue plaque at Curson Lodge, to mark the birthplace of Wolsey on the opposite side of this street.
When it comes to buying gifts, I’ve become stuck in a very pleasant rut- my number one choice will always be a book and compiling my regular biblio-gift guides will always be one of my very favourite things to do. So here’s the latest and whether you are buying for Hanukah, Christmas, Diwali or for no reason at all, I hope you’ll find something to please you from my selection of wonders, both newly published and a few older classics.
Essential Turkish Cuisine byEngin Akin is a timely reminder of a country, culture and cuisine possessed of riches, magnificence and generosity of spirit. “Turkish cuisine marries palace finesse with rugged nomadic traditions” explains Engin Akin as she folds and pleats delicate boreki pastries and the reader is taken on a magical and thorough exploration of the way that geography and culture has influenced what is eaten, by whom and in what way. Engin owns a cooking school in Ula and this means her recipes are well tested and possess cultural veracity. They work.
This Autumn has seen the release of cookbooks by Nigel Slater and Nigella Lawson, an embarrassment of riches indeed. Simply Nigella was reviewed more extensively here but, simply put, Lawson had to ‘cook herself strong’ and this new cookbook is testimony to how she achieved this. We are witness to the rebuilding of a life and kitchen via her usual well tested, humorous and alluring recipes which are liberally scattered with useful micro-recipes and tips to help you eat well. Slater’s latest in his kitchen diaries series, A Year of Good Eating: The Kitchen Diaries IIIreflects the “endless delight I get from giving people, loved ones, friends, complete strangers, something good to eat” as he stated. His recipes are understated, economical of word and deeply reflective of seasonal time and place, collated into a diary form recipe per day structure.
Creole Kitchenby Vanessa Bolosier is fabulous in every way from the fabulous jacket design to the recipes and words which tell of joy, brightness and life. Her cuisine is drenched in history and is birthed from the ancestry and migration of island people. Starting with an explanation of the term ‘Creole’, Vanessa tells their story and then instructs us as to how best to equip a kitchen Creole style. These are perfect little vignettes in themselves and we then move onto the recipes and a pattern emerges of bold bright flavours infused with a sophistication born from the authors skill and ability. Bolosier has a Guadeloupian, Martinique Creole background, worked as a model and moved to London where she now runs a food company, cooking school and supper club so she makes a great mentor.
Not a cookbook but containing some recipes which are closely tied to its story, Kitchens of the Great Midwest by J Ryan Stradal is a mother and daughter coming of age novel set against the food and culture of the American Midwest. We meet Eva, grower of chilli peppers in her wardrobe, effectively an orphan and now looked after by her aunt and uncle. Eva is heart and soul of a story which both skewers and celebrates the emerging global food culture and plays with opposites, placing the authentic (Eva) against those who posture, postulate and pontificate about food in a totally unauthentic manner. Eva is destined to sing through food, becoming a culinary goddess and this lovely novel tells her story and that of the people she meets along the way.
The revival of old homesteader crafts such as pickling, fermenting and smoking has resulted in a slew of books showing us how to do this safely because ignorance of hygiene (among other factors) can result in some pretty nasty consequences. And that is where Olympia Provisions byElias Cairo and Meredith Ericksoncomes in because although it is an American book, the meat preserving techniques it demonstrates are universal. There’s a great balance between the European origins of a lot of the charcuterie and recipes that show the American versions of such- the frankfurters, sausage, salami and confits that have made their store and restaurant so popular.
Inspired by jägermeisters, the charcuterie makers who smoke, cure, and can animals that they’ve hunted or raised on their farm which the author met during her 4 year apprenticeship in the Swiss Alps (before the opening of Olympic Provisions, known as OP), this is a hearty, muscular exploration of the craft. Illustrated with stunning shots of places, food and people the book is not just a coffee table tome for those of us *thinking* about *one day* curing our own meats, it is a call to action because it balances the glossy aspirational aspects of food writing with the practical how to side that is vital in ensuring readers actually get off their butts and DO it.
For those of you who like cookbooks inspired by hot new restaurants, the following books should provide you with plenty of inspiration. Nanban: Japanese Soul Food by Tim Anderson is a sensory delight with bold recipes and unexpected flavours and ingredients by a Masterchef winner. His take on Japanese cuisine resulted in a restaurant from which these recipes are based whilst the restaurant Hartwood in the Mexican Yucatan inspired the eponymous Hartwood by Eric Werner and Mya Henry. Hartwood cooks with local ingredients over an open flame, on the grill or in a wood-burning oven. The fish is all freshly caught from nearby waters, the produce is purchased from Mayan farmers, and technique marries the eclectic with timeless ancestral methodology.
The Brodo Cookbook was written by Marco Canora who has been the owner and Executive Chef at Hearth Restaurant in Manhattan’s East Village since its opening in 2003. After revitalizing his health by integrating bone broth into his diet, Marco began to make his nourishing broths available by the cupful to New Yorkers from a small window in his East Village restaurant, drawing sell-out crowds virtually from the beginning. No longer just a building block for soups and sauces, bone broths are now being embraced for these perceived health benefits and in Brodo, Marco shares the recipes for his flavorful, nutritious broths and shows how to serve them year round as well as incorporate them into recipes and as a daily health practice. For those people interested in perfecting technique, this is the perfect book.
The appeal of a cookbook starts with the words and images for many of us and although it is highly likely that many purchasers of Sea and Smoke by Willows Inn chef Blaine Wetzel, Joe Ray and photographer Charity Burggraaf, might not cook from it, judging a cookbook by this kind of misses the point. The descriptions of food are wistful and beautiful: A broth of roasted Madrona bark,” “Nootka rose petals and salmonberries” and serve as jewelled treasure map to the tiny Lummi Island, a few hours north of Seattle, which can only be reached by an open-air ferry. Ray spent a year here and his words capture the four distinct seasons of Pacific Northwest cuisine without losing any of its wildness, spirit and fleeting beauty.
If you are a fan of everyday French cooking, In a French Kitchen: tales and traditions of everyday home cooking in Franceby the author of the now-classic memoir, “On Rue Tatine”Susan Hermann Loomis will keep you comforted entertained and informed. Loomis introduces the reader to the busy people of Louviers, the ingredients available locally and what to do with them. Eighty five recipes and a multiplicity of stories later, Loomis learns that delicious, even decadent meals don’t have to be complicated. Definitely one to read on the darkest of winter evenings, curled up by the fire with a glass of wine: I first read her back in the very late eighties when I was learning to cook for my family and she has been a reliable and warm companion ever since.
For the sweet toothed among you, Sweeter Off the Vine: fruit desserts for every season by Yosy Arefi will provide you with a collection of heirloom-quality recipes for pies, cakes, tarts, ice cream, preserves, and other sweet treats. From raspberry pink peppercorn sorbet, ruby red rhubarb pavlova, juicy apricots and berry galettes with saffron sugar to blood orange donuts and tangerine cream pie, Arefi shows us how to incorporate seasonal ingredients with the more exotic (such as rose and orange flower water from her native Iran), all photographed sumptuously by her.
The publication of the Groundnut Cookbook followed a successful Guardian Cook residency where authors Timothy Duval, Folayemi Brown and Jacob Fidio Todd wowed readers with their witty, fresh and culturally intriguing collection of recipes. From Jollof Rice, Butterbean Terrine and Pork in Tamarind to Cardamom Mandazi, Yorkshire Pudding with Mango Curd and Puna Yam Cake, the clear instructions, easily sourced ingredients and sumptuous photography will ensure you’ll cook from it again and again.
Finally, if you have a small child keen to get involved in cooking, then this lovely picture book which focuses upon all those lovely festive scents will make a perfect post lunch read. The Sweet Smell of Christmas is about Little Bear who knows that Christmas is nearly here because of all the amazing scents floating in the air. From soft gingerbread men to sweet mint candy, there are so many smells to accompany the festivities; it’s hard to choose a favourite. The book contains six different scratch-and-sniff scents, so kids can interact with the story and smell some of the things that Little Bear smells too. And for older kids, teens and adults who like a bit of GBBO style creativity, The Great British Cake Off by Harriet Popham will encourage them to put sprinkles and cake tin aside and pick up a pencil in order to tackle over seventy colouring in designs. Beautiful illustrations of favourite cakes and bakes are just waiting to be brought to life alongside colouring ‘technical challenges’ to push you just that little bit harder.
Words of Adventure, art and history
Oliver Le Carrer brings us a fascinating history and armchair journey to the world’s most dangerous and frightful places, complete with vintage maps and period illustrations in Atlas of Cursed Places. Accompany him to 40 locations that are rife with disaster, chaos, paranormal activity, and death, including the dangerous Strait of Messina, home of the mythical sea monsters Scylla and Charybdis; the coal town of Jharia, where the ground burns constantly with fire; Kasanka National Park in Zambia, where 8 million migrating bats darken the skies; the Nevada Triangle in the Sierra Nevada mountains, where hundreds of aircraft have disappeared; and Aokigahara Forest near Mount Fuji in Japan, the world’s second most ‘popular’ suicide location following the Golden Gate Bridge.
InSidewalking,David L. Ulin offers a compelling inquiry into the evolving landscape of Los Angeles. Part personal narrative, part investigation of the city as both idea and environment, Sidewalking is many things: a discussion of Los Angeles as urban space, a history of the city’s built environment, a meditation on the author’s relationship to the city, and a rumination on the art of urban walking and psychogeography. Exploring Los Angeles through the soles of his feet, Ulin gets at the experience of its street life, drawing from urban theory, pop culture, and literature. For readers interested in the culture of Los Angeles, this book offers a pointed look beneath the surface in order to see, and engage with, the city on its own terms.
Paul Theroux turns his travelling eye on America’s Deep South in his latest eponymous book and this well seasoned traveller of over five decades roams through Tennessee, both Carolinas and Alabama then wades through the slow moving bayous, low country rice fields and marshy Delta backwaters, all of them way below the Mason Dixon Line and still haunted by Mr Crow’s ugly decision. This is a place which is still chained to the past: from older people who cling to the misnomer ‘the war of Northern aggression’ to the problems with who ‘can’ use the ‘N’ word, to multiple losses of industry to ‘abroad’. The book relates the sum total of four trips over eighteen months as opposed to a single linear voyage of discovery and for that reason, the reader has a sense of thoughts revised and cumulative impressions laying on top of each other like the leaves of a book. Yet there is the other side of the South too: the literature and music which Theroux writes of; the food, and hospitality, We go to potlucks and dinners on the ground with Theroux, we see the gun fairs and football and febrile religious observances which divide as much as they enjoin. This is not an especially cheerful book but how could it be? Much of what we believe about the South is not yet a cliche but what we end up with is still a fascinating, frustrating and haunting account of one of the worlds most culturally distinctive places.
For cycling fans, What Goes Around by Emily Chappell, is an exhilarating and well written account of the life of a cycle courier in London. We experience vicariously, her six years of pain and pleasure-both mental and physical-of life on wheels: the hurtling, dangerous missions; the ebb and flow of seasonal work; the moments of fear and freedom, anger and exhaustion; the camaraderie of the courier tribe and its idiosyncratic characters; the conflict and harmony between bicycle and road, body and mind. I feel in turns, both frightened for her and envious of her unique bikes eye view of the city.
Near the top of Mount Everest, on 10 May 1996, eight climbers died. It was the worst tragedy in the mountain’s history and Lou Kasischke was there. After the Wind tells the harrowing story of what went wrong, as it has never been told before – including why the climbers were so desperately out of time as the rogue storm struck. His personal story tells about the intense moments near the top and these moments also revealed the love story that saved his life.
Long evenings are pefect for getting to grips with a good historical biography and Cleopatra by Ernle Bradford takes a more balanced view of the last Ptolemaic Queen whom history has traduced and maligned as an infamous woman, given to sexual excess and capable of every perfidy. Bradford depicts her as a woman of infinite courage and political resource who, from the age of eighteen until her death, fought to free her country from the iron dominance of Rome and to secure its inheritance for the son of her first lover Julius Caesar. It was right that she should be buried in Alexandria, for in her spirit and in her ambition she was worthy of Alexander himself. The subject of biography and tragedy, Queen Cleopatra remains a subject to which historians are attracted two thousand years after her glorious but doomed life.
What If? Serious Scientific Answers to Absurd Hypothetical Questions is the perfect book for any science enthusiast with a penchant for big questions and a side of humour. What if you tried to hit a baseball pitched at 90 percent the speed of light? How fast can you hit a speed bump while driving and live? If there was a robot apocalypse, how long would humanity last?
In pursuit of answers, Munroe runs computer simulations, pores over stacks of declassified military research memos, solves differential equations, and consults with nuclear reactor operators. His responses are masterpieces of clarity and hilarity, complemented by signature xkcd comics. They often predict the complete annihilation of humankind, or at least a really big explosion. The book features new and never-before-answered questions, along with updated and expanded versions of the most popular answers from the xkcd website.
For those of you hooked on Game of Thrones, George R. R. Martin’s The World of Ice & Fire is an in-depth history of the Seven Kingdoms, sumptuously detailed to clear up any gaps in knowledge. We go from one world peopled with thrones, swords and fantastical themes to another with our next choice because many of us have grown up with tales of glass slippers, evil queens, and magic spells, but where did they come from and what inspired them? Marina Warner’s Once Upon a Time: A Short History of Fairy Tale explores these famous stories, their origins, and their modern film, literature, and stage adaptations. In addition, if you are studying literature or have a child in the middle of an English GCSE course, this is such a useful contextual read.
There are days so crepuscular, wet and cold that even the most dedicated gardener will baulk at going out in them: this is the time to curl up with Dear Christo: memories of Christopher Lloyd at Great Dixter by Rosemary Alexander, a lovely commemoration of a book where well known garden writers and celebrities such as Alan Titchmarsh, Anna Pavord, Helen Dillon, Hugh Johnson, Simon Jenkins and Mary Keen remark upon their memories of Great Dixter and the great man who gardened here. Or escape the cold by taking yourself off on an imaginative odyssey and literary exploration of Sicilyin the capable hands of John Julius Norwich. “Sicily,” said Goethe, “is the key to everything.” It is the largest island in the Mediterranean, the stepping-stone between Europe and Africa, the link between the Latin West and the Greek East. Sicily’s strategic location has tempted Roman emperors, French princes, and Spanish kings. The subsequent struggles to conquer and keep it have played crucial roles in the rise and fall of the world’s most powerful dynasties. Sicily: an island at the crossroads of history is the first to knit together all of the colourful strands of Sicilian history into a single comprehensive study.
If you are looking for another peaceful, meditative and thoughtful space inside the pages of a book then The Fish Ladder: A Journey Upstream by Katharine Norbury will please: it has been one of the best books I have read all year and destined to be re-read. Norbury was abandoned as a baby in a Liverpool convent. Raised by loving adoptive parents, she grew into a wanderer, drawn by the beauty of the British countryside. One summer, following the miscarriage of a much-longed-for child, Katharine sets out – accompanied by her nine-year-old daughter, Evie – with the idea of following a river from the sea to its source. The luminously observed landscape provides both a constant and a context to their expeditions and what begins as a diversion from grief soon evolves into a journey to the source of life itself, when a chance circumstance forces Katharine to the door of the woman who gave her up all those years ago.
Wood has provided a worthy subject for this years surprise runaway bestseller: Norwegian Wood: chopping, stacking and drying wood the Scandinavian wayby Lars Mytting, so when we found Robert Penn had written a lovely book about using ash wood to create a myriad of items, we had to suggest it as a worthy companion. Ash is the tree we have made the greatest and most varied use of over the course of human history so Penn decided to fell one and see how many things he could make from it. Journeying from Wales across Europe and Ireland to the USA, Penn finds that the ancient skills and knowledge of the properties of ash, developed over millennia making wheels and arrows, furniture and baseball bats, are far from dead. The Man Who Made Things Out of Treeschronicles how the urge to understand and appreciate trees still runs through us all like grain through wood and reading it is deeply calming.
If you have a Wes Anderson film buff in your home then what better gift to give than this? The Wes Anderson Collection is the first in-depth overview of Anderson’s filmography, guiding readers through his life and career. Previously unpublished photos, artwork, and ephemera complement a book-length conversation between Anderson and award-winning critic Matt Zoller Seitz. The interview and images are woven together in an intricately designed book that captures the spirit of his films: melancholy and playful, wise and childish and thoroughly original. And for those of you who appreciate the art of a great interview, The Smith Tapes by Howard Smith gathers together the best of this journalists revealing interviews with the likes of Jagger, Dennis Hopper and Andy Warhol. Unedited transcripts are published here for the first time in all their counter cultural glory.
Other people’s letters are always fascinating and in this digital age, the epistolary arts risk being lost to us all. Feast upon Letters of Note then, a gorgeously designed collection of over one hundred of the world’s most entertaining, inspiring and unusual letters, based on the popular website of the same name – an online museum of correspondence visited by over 70 million people.
From Virginia Woolf’s heart-breaking suicide letter, to Queen Elizabeth II’s recipe for drop scones sent to President Eisenhower; from the first recorded use of the expression ‘OMG’ in a letter to Winston Churchill, to Gandhi’s appeal for calm to Hitler; and from Iggy Pop’s beautiful letter of advice to a troubled young fan, to Leonardo da Vinci’s remarkable job application letter, Letters of Note is a celebration of the power of written correspondence which captures the humour, seriousness, sadness and brilliance that make up all of our lives.
At a time of busy domesticity, this next book might seem like an odd and possibly even insensitive choice after weeks of gift shopping, turkey stuffing and tree decorating, but Perfect Wives in Ideal Homes: The Story of Women in the 1950s by Virginia Nicholson makes riveting reading. Giving voice to women at a time when domestic politics often rendered them unheard, the pain, lack of fulfilment and frustration behind the popular image of a world where women wore little frilled pinafores and kept themselves and their home immaculate is revealed. Betty Halbreich is a legendary New York City figure and I’ll Drink to That, her amazing life story is also in development by Lena Dunham for HBO. Halbeich is a personal shopper and stylist and now in her eighties, she has spent nearly forty years at the luxury store Bergdorf Goodman, working with socialites, stars and ordinary women. She has led many to appreciate their real selves through clothes, frank advice and her unique brand of wisdom; she is trusted by the most discriminating persons – including Hollywood’s top stylists – to tell them what looks best. But her own transformation from cosseted girl to fearless truth-teller is the greatest makeover of all, best read in this wonderful autobiography.
If you need to ramp up your personal grooming or feel you are floundering when it comes to the make up arts, then Face Paint by top makeup artist Lisa Eldridge will become your friend. This glossy history of cosmetics from the early days of bodily adornment to the present day machinations of the giant beauty industry is explored by a pro who is also known for her excellent YouTube beauty vlogs and practical down to earth assistance.
From Jane Lotter comes The Bette Davis Club, a madcap road adventure with Margo, a spirited woman in the prime of life whose adventures are triggered by a double martini on the morning of her niece’s wedding.
When the young bride flees—taking with her a family heirloom and leaving behind six hundred bewildered guests—her mother offers Margo fifty grand to retrieve her spoiled brat of a daughter and the invaluable property she stole. So, together with the bride’s jilted and justifiably crabby fiancé, Margo sets out in a borrowed 1955 red MG on a cross-country chase. Along the way, none of what she discovers will be quite what she expected. But it might be exactly what she’s been seeking all along.
I’m always pleased by fiction set in less familiar places and inThe Private Life of Mrs Sharmawe meetRenuka Sharma, a dutiful wife, mother, and daughter-in-law holding the fort in a modest rental in Delhi while her husband tries to rack up savings in Dubai. Working as a receptionist and committed to finding a place for her family in the New Indian Dream of air-conditioned malls and high paid jobs at multi-nationals, life is going as planned until the day she strikes up a conversation with an uncommonly self-possessed stranger at a Metro station. Because while Mrs Sharma may espouse traditional values, India is changing all around her, and it wouldn’t be the end of the world if she came out of her shell a little, would it? A new voice in Indian fiction, Ratika Kapur writes with an equal dose of humour and pathos and her novel is a sharp-eyed examination of the clashing of tradition and modernity.
Secrets and family estrangement lie at the heart of Kelly Romo’s Whistling Women, set against the backdrop of the 1935 World Fair in San Diego, a city where everything went terribly awry for Addie Bates. This is all the more heartbreaking because of the tentative hopes Addie had about a new start as she arrived there from the Kansas orphanage she had previously lived in before travelling to live with her newly married sister, Wavey. Years later, Addie flees to the Sleepy Valley Nudist Colony which provided her with a safe haven for her for 15 years, until she starts to realise that the loss of her more nubile younger body will cause the colonies owner, Heinrick, to eject her. Addie must make her way in a world for which she is ill equipped to live in and following the example of some of the other colony performers, she realises that family is her best hope.
A little bit of horror doesn’t go amiss in the Winter either and the stunning ‘lost’ horror novel of the late William Gay is deeply unsettling. Little Sister Death is inspired by the famous 19th Century Bell Witch haunting of Tennessee and follows the unraveling life of David Binder, a writer who moves his young family to a haunted farmstead to try and find inspiration for his faltering work. There’s no irony or post modern trickery in Gay’s novel: it is a classic Haunted House tale and written by a master of the genre.
Horror and confusion of a more contemporary kind in Tim Washburn‘s Powerless where a massive geomagnetic solar storm destroys every power grid in the northern hemisphere. North America is without lights, electricity, phones, and navigation systems. In one week, the human race is flung back to the Dark Ages. This is something many of us contemplate: can we manage without the sophisticated and interrelated technological matrixes we’ve become dependent upon? Only one man–army veteran Zeke Marshall–is prepared to handle a nightmare like this. But when he tries to reunite with his family he discovers there are worse things in life than war. And there are terrible and unthinkable things he’ll have to do to survive.
Just out in cinemas is Alan Bennett’s The Lady in the Van and this book which was first published by the London Review of Books has been re-released. In 1974, the homeless Miss Shepherd moved her broken down van into Alan Bennett’s garden. Deeply eccentric and stubborn to her bones, Miss Shepherd was not an easy tenant. And Bennett, despite inviting her in the first place, was a reluctant landlord. And yet she lived there for fifteen years. Altogether darker in tone is David Mitchell’s Slade Housewhich was born out of the short story he published on Twitter in 2014 and inhabits the same universe as his latest bestselling novel The Bone Clocks.
Turn down Slade Alley – narrow, dank and easy to miss, even when you’re looking for it. Find the small black iron door set into the right-hand wall. No handle, no keyhole, but at your touch it swings open. Enter the sunlit garden of an old house that doesn’t quite make sense; too grand for the shabby neighbourhood, too large for the space it occupies. A stranger greets you by name and invites you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. More mysteries abound in the newly published The Master of the Pradoby Javier Sierra as he takes readers on a grand tour of the Prado museum in this historical novel that illuminates the fascinating mysteries behind European art—complete with gorgeous, full-color inserts of artwork by da Vinci, Boticelli, and other master artists. Historical figures are brought to life and dazzling secrets, conspiracies and prophecies hidden within artistic masterpieces are uncovered in this intriguing story.
I loved Purge, the earlier novel by Sofi Oksanen and her latest, When the Doves Disappeared ( translated by Lola Rogers) doesn’t disappoint. Her plot is fast paced and explores Estonia’s terrible wartime history of mass human displacement, collaboration and occupation, shining a light upon a part of the world which is often neglected by writings about the Second World War. The translation is superb too. Another well translated novel is A Man Called Ove by Fredrik Backman which became a sleeper hit over the late Summer via word of mouth. The titular Ove is a cantankerous Swedish misanthrope, constantly cross and combative with neighbours, shop assistants and everything, to be honest. But beneath this gruff exterior is a decent man with a generous spirit. Read and smile as he becomes an unexpected saviour to the unfortunates who come his way.
Finally, 2015 saw us saying goodbye and thank you to Jackie Collins who died far too soon of breast cancer. In tribute to a writer who kept me entertained and helped to educate me about what kind of men I needed to avoid, I’ll be rereading two of her novels: Hollywood Wives and Lovers and Gamblers, both classics of the sex, shopping and backstabbing genre. The former provides hours of fun trying to identify the thinly disguised real life Hollywood people who inspired her characters and the latter is a romp involving beauty queens. a male hero who is a priapic hybrid of Tom Jones and Rod Stewart and a plane crash in the South American jungle. Enjoy.
Seasonally themed books
Christmas themed books are a yearly tradition in our house and the classic A Christmas Carol by Charles Dickens is where we recommend you start. Scrooge actively hates Christmas and he’s not shy about spreading his misanthropy. A timely visit from the ghosts of Christmas past, present and future remind him about life, love and priorities. Another favourite of mine is A Christmas Memory by Truman Capote and set in Alabama during the great depression. We meet seven-year-old Buddy whose parents leave him with relatives over Christmas whose gift-buying imagination doesn’t stretch to much more than a religious magazine subscription. His friendship with an elderly cousin saves the day as they both get drunk on whiskey, bake cakes and decorate trees after a muddy cold expedition to find one.
For young children, Chris Judge’s The Snow Beast is jolly Christmas whodunnit because Beast has been robbed and so has the whole village. Without tools the villagers can’t put on their legendary Winter Festival, so Beast sets off to solve the mystery. Discovering that a stranded Snow Beast is behind the robbery, Beast has to decide whether to help this odd-looking stranger.
For both children and adults, The Grinch Who Stole Christmasby Dr Seuss tells of the journey towards love, acceptance and forgiveness which the Grinch, whose heart is two sizes too small, undergoes, after stealing everyone’s gifts because he hates Christmas. Closer to home, A Child’s Christmas in Wales by Dylan Thomas is based on his own experiences, growing up in a small Welsh town and ideal for reading aloud. Christmas in the country provided Laurie Lee with plenty to write about in Village Christmas, a moving, lyrical portrait of England through the changing years and seasons. Laurie Lee left his childhood home in the Cotswolds when he was nineteen, but it remained with him throughout his life until, many years later, he returned for good. This collection brings to life the sights, sounds, landscapes and traditions of his home – from centuries-old May Day rituals to his own patch of garden, from carol singing in crunching snow to pub conversations and songs.
For those in need of humour after spending hours servicing the needs of others, the writings of humourist David Sedaris might do the trick of putting you back together again (along with a large gin). Holidays on Ice boasts six humorous short Christmas stories impregnated with the sardonic and darkly dry humour Sedaris is known for. If reading about such things as the banality of life working as a Christmas elf in Macys amuses you, because life could always be worse, this is the book for you. Known for her sardonic nature in real life, Fox in the Manger by P.L Travers has been reissued in a whimsical new edition by Virago. This charming retelling of the Christmas story by the author of Mary Poppins. Printed on board, with beautiful illustrations, this will be the perfect gift book for Christmas.
Finally, how can it be Christmas if someone hasn’t been murdered? Bring Poirot to the rescue with Hercule Poirot’s Christmas by Agatha Christie or enjoy the recently reissued Mystery in White: a Christmas crime story by J Jefferson Farjeon who was highly acclaimed back in the day. Read on as heavy snowfall brings a train to a halt near a tiny village, leaving passengers at the mercy of a murderer in the deserted home they shelter in. Good classic stuff.
Growing up, Christmas was all about Snoopy and Charlie Brown for us and each year brought us a new Peanuts strip cartoon anthology. A Charlie Brown Christmas by Charles Schultz sees the 1960’s Peanuts holiday TV special take the form of a book and it’s an ideal stocking filler for all of us who want to read about how Charlie Brown sets the tone for Christmas by getting a real tree rather than the artificial one requested by Lucy. Schultz wrote at a time when psychotherapy was beginning to become mainstream and Peanuts is darkly and whimsically reflective of this, right down to the characters setting up their own psychotherapy stall for 50c a go.
From Lizzie Mary Cullen, the illustrator behind hit colouring book ‘The Magical City’, comes a brand new treat for the winter- A Magical Christmas. Settle down and immerse yourself in this mesmerising new colouring book, with Christmas celebrations from across the world and throughout the years. There’s at the Rockefeller Center to surfing in Sydney and frost fairs on the Thames to Victorian toy shops. Travel with the wise men following a star, spot Santa’s sleigh skimming over the rooftops and discover dazzling gingerbread houses with Lizzie’s intricate inky illustrations.
The Day the Crayons Quit is a Number One New York Times Best-seller by author Drew Daywalt and Oliver Jeffers with a crayon-based crisis at its playful and innovative heart. Poor Duncan just wants to colour in. But when he opens his box of crayons, he only finds letters, all saying the same thing: We quit! The battle lines have been drawn. What is Duncan to do? Drawing and a young child’s abilities in the artistic department are also the subject of The Dot, an award-winning story of self-expression and creativity from Peter H. Reynolds, illustrator of Ish and the Judy Moody series. Vashti thinks she can’t draw. But her teacher is sure that she can. She knows that there’s creative spirit in everyone, and encourages Vashti to sign the angry dot she makes. If your child is feeling overwhelmed by a deluge of art related Christmas gifts, this just might be the book to help refocus upon the sheer pleasures of putting crayon (or pen) to paper.
Kids adore Guy Martin’s adventuring spirit and especially suitable for older readers is When You Dead, You Dead an account of what he calls “The maddest 12 months of my life. The journey starts with an oddball race up an American mountain and ends with me checking myself out of hospital with a broken back. Again…” As Guy Martin’s grandfather Voldemars frequently reminded him,’When you dead, you dead.’ So, before it’s all over, Guy Martin is making the most of the time he’s got. In this past year alone, Guy has raced the Isle of Man TT and finished on the podium; bike trekked through India; competed in solo 24-hour bicycles races; flown a stunt plane; broken a go-kart speed record down a French mountain and dusted himself off after a dramatic crash at the Dunrod 150 Superbike race. And he’s done all this around his day job as a truck mechanic. But let Guy tell you about it himself: “This book starts in a Transit, ends in a Transit, and in between I’ve raced a few push bikes, raced a few motorbikes and got a fair few stories to tell you.”
There’s been some brilliant YA releases this year and Mosquitolandby David Arnold was one of the best. When her parents unexpectedly divorce and family life collapses, Mim Malone is dragged from her beloved home in Ohio to the ‘wastelands’ of Mississippi, where she lives in a haze of medication with her dad and new (almost certainly evil) stepmom. But when Mim learns her real mother is ill back home, she escapes her new life and embarks on a rescue mission aboard a Greyhound bus, meeting an assortment of quirky characters along the way. And when her thousand-mile journey takes a few turns she could never see coming, Mim must confront her own demons, redefining her notions of love, loyalty, and what it means to be sane.
The reissue of old classics in wondrous jacket designs makes this a great time of year to treat kids to their own copies of books we loved and this version of The Snow Queen caught our eye with its cloth-bound jacket in deep blue, with silver foil embellishments Hans Christian Andersen’s magical tale of friendship and adventure is retold through the beautiful and intricate illustrations of Finnish illustrator Sanna Annukka who is familiar to many from her collaborations with Marimekko and her artwork for Keane’s album, Under the Iron Sea.
Interactive fun comes via the Superhero Comic Kit designed to help kids draw, colour and sticker their very own superhero comic books with 10 exciting 8-page comics to draw, colour and complete. Each adventure has super story prompts to start imaginations off, sections on how to create and draw superheroes and super villains, and over 100 fantastic stickers to add to newly created stories. Another kind of superhero is Rosie Revere, Engineer by Andrea Beaty about a little girl who, where some people see rubbish, Rosie Revere sees inspiration. Alone in her room at night, shy Rosie constructs great inventions from odds and ends. Hot dog dispensers, helium pants, python-repelling cheese hats. Rosie’s gizmos would astound—if she ever let anyone see them. Afraid of failure, she hides them away under her bed. Until a fateful visit from her great-great-aunt Rose, who shows her that a first flop isn’t something to fear—it’s something to celebrate.
The wearing of clothes can be so overrated according to some kids and in Naked!by Michael Ian Black, we meet a little boy who streaks through the house, makes a pitstop to snack on a cookie, and takes a gleeful slide down the stairs, all while wearing nothing but his birthday suit (and occasionally, a cape). Eventually, much to his parents relief, he eventually opts for some pajamas.
Older kids who want a colouring challenge and benefit from time spent in careful execution of a task will appreciate Fantastic Cities by Steve McDonald, which features immersive aerial views of real cities from around the world alongside gorgeously illustrated, Inception-like architectural mandalas. Beautifully rendered and detailed line work offers bird’s-eye perspectives of visually arresting global locales from New York, London, and Paris to Istanbul, Tokyo, and Melbourne, Rio, Amsterdam, and many more alongside some mind-bending labyrinthine architectural illustrations for still deeper meditative colouring adventures and imaginative flights of fancy.
It isn’t just children with active imaginations- meet Olive the dog who fancies herself as a reindeer, in Olive, the Other Reindeer. Olive ishaving a good time during the celebrations, but when singing songs about reindeer, she things the line “All of the other reindeer” is actually, “Olive the other reindeer!” Convinced she must actually be a reindeer and not a dog, Olive sets out to become a part of Santa’s team, with surprising results. This is not a new book but it is a timeless one.
Warning: Do Not Open This Book! by By Adam Lehrhaupt kicks off with a “CAUTION!” (which always makes kids giggle) “You really shouldn’t be opening this book.” So begins this humorous book featuring engaging illustrations by Eisner Award-winning comic artist Matthew Forsythe with monkeys, toucans, and a whole lot of silliness rampaging across each page. The ALSC named this a 2014 Notable Children’s Book and who can blame them?
When my kids were small they were fascinated by other small creatures. If you have a youngster of similar persuasions and is also partial to a beautifully turned out book, then Flying the Nest: the early days of Britain’s best loved animals by Hannah Dale will make a lovely stocking filler. Voted one of the UK’s Kids Love Books top 100, this charmingly illustrated book introduces the reader to 50 familiar creatures and some not so. Captured at the point of leaving their nests, hides, burrows etc, the accompanying text provides useful context and plenty of ‘awe’ factor.
Persephone Books always make exquisite gifts with their specially designed and collated end papers and soft grey covers and A London Child of the 1870’sby Molly Hughes with a preface by Adam Gopnik is a lovely choice for a Christmas read. Says Gopnik: “‘Here is an ordinary life rendered truly, and joyfully, with a voice at once so self-abnegating yet so gay and funny and precise that we are reminded, in the end, of the one truth worth remembering, that there are no ordinary lives.’ As Adam Gopnik says, it is Molly’s pictures of everyday life that most stick in the mind: travelling by bus to the West End, making toffee in the afternoon, walking to St Paul’s on Christmas Day…” Persephone also offer a book a month service complete with gift wrapping which would make, we feel, the most delicious gift for a book lover who admires the design and feel of a tome as much as its contents.
For lovers of Wodehouse, The Folio Society has designed a jaunty new edition of Thank You Jeevesin an argyll patterned cover, introduced by Hugh Laurie and there’s also a dramatic Dambusters, introduced by Mary Stopes for lovers of war stories. RoePaul Brickhill’s account of 617 squadron’s legendary bombing raid is an exhilarating read and suitably showcased in a suitably dramatic red and black binding. It is a book to keep and read over and over again and this is the wondrous thing about Folio Society books, they make the ownership such a joy, it can be hard to decide which book to choose when money is an object.
Some more picks: Into the Unknown: Tales from the Great Explorers, where the archives of the Royal Geographical Society provide readers with an explorer’s eye-view of some of the most extraordinary human journeys ever undertaken and for the smalls, Joan Aitken’s Wolves of Willoughby Chase. Aitken is a writer who is often overlooked when it comes to ‘best of’ lists, a grave literary injustice and one The Millers Tale is keen to redress.
Waterstones sell a good range of gift editions from classics such as To Kill a Mocking Bird with a jacket design based upon the American first edition and the Everyman Library Pocket Classics 7 series. Diana Secker Tesdell’s Cat Stories looks an engrossing read with everyone from Angela Carter, Wodehouse, Ursula K. LeGuin and Patricia Highsmith included and there’s a ZeusGhosts anthology of all that goes bump in the night. Hand-picked by award-winning author Louise Welsh, this beautiful collection of 100 ghost stories will delight, unnerve, and entertain any fiction lover brave enough. I was drawn to a lovely Christmas story collectionin the same Everyman series with stories from Willa Cather (The Burglar’s Christmas), Truman Capote ( A Christmas Memory), frolicking goblins via Dickens, a lovestruck ghost in Elizabeth Bowen’s ‘Green Holly’ and devils, witches, Cossacks and peasants cavort in Gogol’s ‘The Night Before Christmas’. At just £8,99 each, these are what I’d like in my stocking.
Finally, the Four Corners publishing house has commissioned contemporary artists to illustrate some well known and celebrated books. Donald Urquhart’s sketches for Vanity Fairby Thackeray caught my eye as did Some Canterbury Tales by Chaucer, illustrated by Marvin Gaye Chetwynd in a dramatic and contemporary style.
Winner of the 2013 Booker Prize, Catton’s 800 page masterpiece is definitely one for (hopefully) uninterrupted immersion.
Set in the wild coast of New Zealand, during the 19th century goldrush, it is a medley of mystery, thriller, historical epic and pure inventiveness. The twelve characters move in and out of each other’s stories, and also tie up with the intricate zodiac structure that oversees the entire novel. It is about greed, money, temptation, fate and human nature.
Jojo Moyes’ Me Before You was a phenomena with over 3 million copies sold worldwide. (Remember the summer of 2012 when every beach across Europe was awash with people reading this or 50 Shades?) Jojo fans are in for a treat this summer with her latest novel The One Plus One out in paperback just in time for the hols.
Jojo will be joining us for a webchat at the end of September.
You wouldn’t think this was a debut novel, it is so accomplished and confident.
Ruth is an elderly lady living alone in a remote part of New South Wales. When a governement-funded carer, Frida, comes to look after her and slowly begins to infiltrate her life, a suspense story begins where what is real and what is imagined becomes blurred and unreliable.
A witty, menacing psychological thriller that is also a brilliant evocation of old age, forgetfulness and regret.
During a visit to the picturesque Spanish village of Guzman, Michael Paterniti heard an odd and compelling tale about a cheese made from an ancient family recipe that was reputed to be among the finest in the world. Hooked on the story, he relocated his family to the tiny hilltop village to find out more. Before long the village began to spill its long-held secrets and Paterniti was sucked into the heart of an unfolding mystery.
The Telling Room is as surprising, evocative and wildly entertaining as the world it portrays.
Elizabeth Gilbert’s latest novel will come as a surprise to those who have defined her by the blockbuster Eat Pray Love.
Set in the 1800s, The Signature of All Things weaves an epic story of adventure, love and botany. The incredible authenticity of detail and Gilbert’s master story-telling make the journey across the continents, through the centuries, and throughout the 500-odd pages, joyful and swift – making this a perfect summer read and our bookclub choice for September.
An electrifying and titillating read where we find seduction, desire and troubled passion in the heat of the sultry summer sun.
Each summer Jenn and her husband return religiously to Mallorca’s West Coast but this year the arrival of Jenn’s stepdaughter and her boyfriend Nathan brings with it a series of unexpected events. Nathan’s beauty and youth cannot escape Jenn who finds herself recklessly gambling away stability to feed this new sprung obsession.
Walsh’s novel is undoubtedly this summer’s steamy read; suspense-filled and just dripping with passion
‘I loved the writing and the characterisation, oh, and the plot – yeah, all really pithy. Really great’: sound familiar? How many books have you claimed to have read but never actually finished, or even started? Miller decides to rectify his twenty odd years of lies and to silence his nagging guilt to become the literate man he’s always claimed himself to be.
This book is Andy’s inspirational and very funny account of his expedition through literature: ‘classic, cult and everything in-between.’
A fictionalised and fascinating account of E M Forster’s life around the time he was working on A Passage to India.
Using extensive research, Galgut has brought in the characters around Forster (a mad maharajah, the spoilt Bloomsbury set, an adored Egyptian lover) and created a moving novel that explores the interior life of a complex, conflicted yet brilliant man.
Love! Truth! Beauty! A chance encounter, an impulsive kiss and Lucy Honeychurch’s world is forever changed. Torn between settling for a life of acceptable convention or the calling of her true love, Lucy epitomizes the struggle for individuality.
Definitely EM Forster’s most romantic novel, with the easy flowing passion of the Italian culture set against the constrictions and repressed sexuality of English Edwardian society.
A classic ideally suited to summer, sunshine and freedom.
“Anyone who writes an autobiography is either a twat or broke. I’m a bit of both” so begins Viv Albertine’s remarkably candid memoir.
In it she tells the story of what it was like to be a girl at the height of punk and of what happened post-punk, taking in a career in film, IVF, illness, divorce – and making music again, twenty-five years later.
From music and fashion to family and feminism, this is a truly remarkable memoir and the story of a life lived unscripted, told from the heart.
Amy Tan has been writing high quality blockbusters for decades, ever since The Joy Luck Club became a huge besteller in 1989. Her latest is an intelligent saga about coutesans in China at the turn of the 20th century.
Violet, half American and half Chinese daughter of the owner of the courtsean house, is forced into this world, where (amongst the betrayal and sadness) she also discovers female friendship, loyalty and love.
A classic Tan page-turner for those who loved Memoirs of a Geisha.
Perfectly reviewed onsite by EduardoBarcelona: “If you enjoyed Alys, Always I can heartily recommend HER.
“Written by an early Mumsnetter, this is the kind of book that you HAVE to read in a day. It speaks to all of us who have ever wrangled children – in fact I was late to work after spending an hour in the bath trying to get to the end. (Bad hair day ensued).
“I did chuckle afterwards that you can imagine the whole book as a long AIBU, from two people’s viewpoints… just BRILLIANT.”
Our July Book of the Month is, as Alice Sebold brilliantly called it, ‘a dark cautionary tale hanging out, incognito-style, in what at first seems a traditional family narrative’.
Narrated by the jaunty, sharp and very amusing Rosemary, the novel centres around the disappearance of Rosemary’s siblings, and the impact on her and her scientist parents. It looks like a straightforwardly comic novel but underneath lies an enormous moral dilemma. Fowler sets radical experimentation against personal experience, science against compassion.
Winner of the Pen/Faulkner Award 2014, this book manages to be unusual and funny and sad and disturbing all at once.
Like The Night Guest, this critically acclaimed novel centres on a woman living in a remote area, threatened by fears that are perhaps real or imagined.
Jake is a woman with a secret, having moved from Australia to a tiny island off the British coast. Her past and present dovetail in a beautifully crafted suspense story that is unsettling and mesmerising.
Often compared to early Ian McEwan and Iain Banks, Wyld is an absolutely exquisite writer and a highly talented young voice.
In May 2012 Kirstie Clements was unceremoniously sacked after thirteen years in the editor’s chair at Vogue Australia. Here she tells the eye-opening story of life in fashion’s fast lane.
From the glamour of photo shoots in exotic locations, fashion shows and of course outrageous fashion, to the ugly side: the infighting, back-stabbing, desperation of models to stay thin. All this sprinkled with an array of glitzy slebs make this a fascinating summer read.
Having died in May this year, Maya Angelou has left behind an inspirational legacy of strength and perseverance which speaks out to many of us. We’ve selected Mom & Me & Mom as it unearths a deeper layer of Angelou’s compelling life story, revealing a more intimate and heartfelt insight into her relationship with mother Vivian Baxter Johnson.
The novel reveals why Maya was raised by her paternal grandmother and discloses the emotional turmoil Maya suffered as she began to perceive of her mother as a presence of absence.
Touchingly emotional, this story considers the bond between mother and daughter as it is at once torn apart and then reconciled
We decided to include a trip back to the 80s in our summer round-up, after enjoying reading this recent thread.
What A Carve Up was unflinchingly the book of the decade and cited by many Mumsnetters as their favourite book of all time. Coe’s classic captures the political movements of Britain in the 1980s with true humour and reflects on the blurred boundaries between greed and madness through the microscope of Thatcher’s Britain.
What he illuminates is both hilariously acute and touchingly thought-provoking, or as one Mumsnetter says, ‘Ridiculous, but an absolute hoot!’
Frustrated with life in Berlin, author Gideon Lewis-Kraus undertakes three separate ancient pilgrimages. He recounts his travels over hundreds of miles: the thousand-year old Camino de Santiago in Spain with a friend, a solo circuit of eighty-eight Buddhist temples on the Japanese island of Shikoku, and finally, with his father and brother, a migration to the tomb of a famous Hassidic mystic in the Ukraine.
Both succinctly funny and movingly honest, Lewis-Kraus examines with piercing insight our search for purpose in life, and how we travel between past and present in search of hope for our future.
We recently interviewed Norwich resident and author Emma Healey here and were blown away by the insight this young woman has into the myriad of ways by which Dementia affects not only the person, but family, friends and the society around them. Crossing genres from family drama to crime, the story unfolds via what is forgotten, half forgotten and that which can never be forgotten- the long ago disappearance of Maud’s sister and the apparent disappearance of her close friend Elizabeth.
Unruly Places: lost spaces, secret cities and other inscrutable geographies by Alistair Bonnett.
Explore the world’s secret and underground cities, diamond mines and erotic landscapes in this delightfully outlandish travelogue. You’ll never look at a map — or your own backyard — the same way again.
Bad Feminist by Roxanne Gay
Everybody is talking about her in the UK but we have been in one the secret for quite some time now! One of the more practical and most accessible new culture critics plants her flag in topics ranging from trigger warnings to Orange Is the New Black in this timely collection of essays. This is the text for those who constructed their feminism from the pages of teen chick lit such as Sweet Valley High and whose young daughters are currently doing feminist battle in the age of the Hunger Games. Roxane Gay is who Caitlin Moran would like to be and never will.
Check out Roxane Gay’s new suspense novel ‘ An Untamed State’ too. Described by Tayari Jones as “magical and suspenseful”, this is a harrowing novel about the connections between sexual violence and political rage, narrated in a voice at once traumatized and eerily controlled. Roxane Gay is an astute observer of Haitian society and a deeply sympathetic, unflinching chronicler of the compromises people make in order to survive under the most extreme conditions.
Our holidays are in sight and with a deliberately enforced policy of no WiFi, we will make the time to read. Pure bliss. Here’s some books we’ve enjoyed in the past and a few that we’ll be taking with us. There’s something for most of you here and we’ll be adding to it as time (and reading) moves on.
A wonderful and heartbreaking novel set in post-World War I rural Mississippi. It deals with issues of racial tension, love and betrayal . Having been unable to put it down the first time I read it, I simply re-read it once again.
This novel is set in Sicily in 1963 and the author successfully evokes the mood of a small Sicilian town in the throes of a family crisis. It traces the history of one of the town’s most prominent families – unveiling all of their secrets and mysteries. The author is brilliant at describing all of the nuances of life in this town. You feel the heat, smell the air, crave the gossip and feel transported to Sicily. If you’ve been there you will appreciate the authenticity of the description, and if you haven’t you will want to go.
The best journeys can be those you didn’t know you needed to take and this is one of those rare children’s novels that both delights the adult reader and returns them to a child’s perspective. Beloved since I first encountered it via my American primary school mistress aged eight, it wasn’t as popular in Britain as it was/is in the USA. Thankfully this parlous state of literary affairs has now been rectified and it has become much loved over here too.
Thisis not just the tale of a young woman clawing her way to survival in a world that seems hellbent on destroying her. It is also a story evolved from the author’s personal history. When she was a girl, Bond heard the stories of how her aunt, a young black woman, was believed to have been murdered by Ku Klux Klansmen in the 1930s for her relationship with a white man. The crimewent unpunished. And Bond herself was the victim of sexual abuse as a child. Hence, Ruby is born of the pain of women as unwilling and unwitting victims. Scenes of raw violence and pain are mitigated by the sheer beauty of the prose, but not an easy read all the same.
How could we NOT want to take this as part balm and consolation for our lack of tickets to see Dolly do Glasto this summer of ’14. Asides her colossally successful musical career, Dolly is also the only female star to have her own themed amusement park: Dollywood in Pigeon Forge, Tennessee. Every year thousands of fans flock to Dollywood to celebrate the icon, and Helen Morales is one of those fans.
In Pilgrimage to Dollywood, Morales sets out to discover Parton’s Tennessee. Her travels begin at the top celebrity pilgrimage site of Elvis Presley’s Graceland and finally to Pigeon Forge, home of the “Dolly Homecoming Parade”. Morales’s adventure allows her to compare the imaginary Tennessee of Parton’s lyrics with the real Tennessee where the singer grew up, looking at essential connections between country music, the land, and a way of life. It’s also a personal pilgrimage for Morales. Accompanied by her partner, Tony, and their nine-year-old daughter, Athena (who respectively prefer Mozart and Miley Cyrus), Morales, a recent transplant from England, seeks to understand America and American values through the celebrity sites and attractions of Tennessee. This celebration of Dolly and Americana is for anyone with an old country soul who relies on music to help understand the world, and it is guaranteed to make a Dolly Parton fan of anyone who has not yet fallen for her music or charisma.
A good book for the bookshelf voyeurist whose first action upon going to a persons house is to nose through their book collection.. Find out what cool people like Patti Smith, Roseanne Cash, Alice Waters and Judd Apatow stock on their shelves, through interviews and Jane Mount’s book spine paintings.
“We’re the unknown Americans,” says a character in Cristina Henríquez’s second novel, “the ones no one even wants to know, because they’ve been told they’re supposed to be scared of us and because maybe if they did take the time to get to know us, they might realize that we’re not that bad, maybe even that we’re a lot like them.”
That declaration bluntly explains the theme of “The Book of Unknown Americans,” as does the novel’s choral structure — made up of first-person reminiscences from an array of characters from Latin American countries including Mexico, Panama, Guatemala, Paraguay, Nicaragua and Venezuela, all of whom talk to us directly about their reasons for coming to the United States.
Central to the book is the account of the lives of its two central characters: a beautiful Mexican teenager named Maribel Rivera and her admiring friend and neighbor, Mayor Toro. Maribel has learning difficulties as a result of an accident, the details of which slowly become apparent in much the same way as one learns about the back stories of new friends.
Homesickness, dislocution and displacement; a yearning to belong and a yearning to preserve that which makes them different characterises the immigrant experience, something that is enhanced by the stories being set in Delaware- a state that is not the first to come to mind when one thinks of a destination. Very clever. Reading this book on holiday at my brothers home in Germany, listening to his own account of his loneliness and linguistic alienation, watching how he is now assimilated to the point of forgetting some of his native English enhanced the reading, ramming home the brutal reality of being a stranger in a land that represents so much to them prior to their arrival whilst appearing confusingly familiar too.
In her debut novel ‘Elizabeth is missing’, author Emma Healey subverts the commonly held tenet of writing – ‘Write about what you know’ because the central theme of her book, Dementia, is unknowable to all except the person living with it. The condition all too often renders a person unable to adequately express their lived experiences and the essential mystery that lies within the heart of every human becomes ever more so.
Beautiful, painful and rich, ‘Elizabeth is Missing’ defies easy categorisation based as it is on Maud, an older woman with a fading memory who is convinced that her friend has gone missing and whose concerns are not taken seriously. Echoes of the long unsolved disappearance of Maud’s sister seventy years ago soon merge with the present as Maud refuses to be thwarted in her search for answers and we move back and forth in time alongside her.
At just twenty nine years of age, Emma’s ability to capture the essence of dementia is haunting and masterful, even more so for this reader, having had experience of working with people affected by the disease and its patterns of thought and behaviour; the restless searching, dislocution and their polar opposites- a determined fixation upon things or places or events that are all vividly captured along with the awful awareness that something is wrong but the person knows not what.
“I loved writing from the point of view of an older person” says Emma. “I have been writing since I was young but I never finished any of it and it felt boring – writing about my age and experiences. Writing about Maud was freeing because it isn’t about my life or my experiences but I am exploring and seeing her life from my point of view alongside the reader” The original idea of the book grew from a car journey on an ordinary sort of day when Emma ‘s own grandmother expressed a fear that her friend had gone missing. Emma’s gran has Multi Infarct Dementia and at that point was able to be mollified by the reassurances of her granddaughter and retain the information that her friend was only staying with her daughter- “I thought about this over the next year as Gran deteriorated- what would happen if and when a person couldn’t retain an explanation and I looked for ways to explain this condition; it was an excuse to explore it and then my other Grandmother died. She had been the family story teller and before she died I wrote down all the stories of her life. And they went into Maud’s story.”
Initially the idea of writing about something as intimate and painful as this might appear to be a form of catharsis but the end results proved to be more complex than that- “I thought it would be cathartic, there is a lot of Dementia in my family but I have found it quite frightening; ‘It will be my fate’ and it can be quite terrifying. The misconceptions about the illness upset me more than anything, the idea that you can be less than pleasant to somebody with Dementia ‘because they won’t remember’ whereas in fact the feelings evoked are residual. They know something is wrong, that something bad has happened and they don’t always forget that”
For Emma, part of the process of trying to understand her Grandmothers condition involved learning about it, reading textbooks, dry journals, going to visit her gran and the relative of another friend in hospital and it was then that the dearth of variety in writing about it became obvious- “A lot of the textbooks were quite boring and didn’t really give any feeling for what it might be like to live with the condition. What it is like for family and for everyone around and this is where fiction is important. Giving the feeling that people with dementia, the elderly, are part of the community and books can reflect that”
The otherness of getting old, of confronting the changes and failings of the body, of having dementia is beautifully depicted. We see a variety of reactions to Maud from the cruel, dismissive mickey taking of the police officer who deals with Maud every time she comes to the station to try to report the disappearance of her friend (and forgets she has been there already) to the kindness of the receptionist at the local paper who tries to help Maud fill out a missing person notice, mistakenly believes a cat is missing, releases she has misunderstood and shows humanity in her attempts to normalise Maud’s forgetfulness and her own attempts to decipher what Maud wants. The scene is amusing at times through Mauds own bewilderment at the receptionists apparent confusion -“She asks if Elizabeth has a collar and it seems like an odd question” but they get there in the end. The over riding impression is that we all need to be more patient, to be familiar with the small acts of kindness that help make the world less confusing and stressful for many of us, let alone a person with cognitive problems. “People blame the person for not being able to remember” Emma says ” although there is humour in life and I wanted to reflect that people with Dementia use that humour too. It mustn’t be left out but I didn’t want the humour to be related to Maud’s distress, about that distress. I didn’t want people laughing at her and i didn’t want it to be cruel.”
Much is left for the reader to surmise, often in retrospect too. Maud forgot that she had made multiple trips to the police station in her attempts to discover Elizabeth’s whereabouts, making this far more effective a surprise to us because the reader isn’t aware of these visits as they happen. We think ‘oh’ when the officer cruelly points out the truth and we see where his frustration comes from and then recoil from his scathing humour. It is NOT funny. We never lose our place on Maud’s side but we can also empathise with Maud’s daughter, Helen as she tries so hard to retain her patience as she retrieves her mother from yet another wandering off or muddled and failed mission to find Elizabeth. Rich with the imagery of ageing- events and things obscured, buried and obfuscated, becoming faded and dulled but then what was lost returning slowly to the surface.
From the discovery of her sisters buried compact to the memories in her own mind, Maud nonetheless lives a rich sensory life with senses still sharp and the ability to feel emotions connected to smell, feel and sounds. From the vividly tactile description of Maud trailing her fingers along a moss covered wall. peeling away clots of moss to the collections of objects Maud accumulates- seeds, discarded fingernail clippings, stones and feathers and the way the smell of nylon evokes memories of her younger days, we are given a real insight into the world of Maud and a great way in; a way of relating.
Responding to the underlying feelings as opposed to what is being said or done can help relatives and carers to cope with some of the more challenging aspects of the persons behaviour. Maud gets ‘grumpy’ as Emma describes it but we never lose sympathy for her. We see what has gone into building Maud throughout her life and as Maud loses the ability to explain herself and as her personality starts to shatter, we see Maud distilled through her senses. “I am a sensory person, I have always kept a diary of the senses, I suppose you could call it, rather than a day to day diary of what has happened in my life” said Emma. “You can add more meaning to a scene if you add sensory detail, the motives and character can be explained in this way. It is so easy to be pulled out of a book as a reader when much is going on around us. Adding this detail, these little descriptions helps to pull people back in again” Maud is anchored in the natural world and we are anchored too, especially when the reader feels distress and adrift in empathy with Maud. Emma herself is a bit of a gatherer too, describing her collection of ‘bits and bobs’ from her grandmothers’- seeds that are too old to germinate but she is loathe to throw away, bits of costume jewellery, pebbles from beaches and little photos slotted away of nothing in particular.
Realising how Emma shares some of these traits and her previous studies in book art (Emma read for a degree in book arts) we wondered how hard it was for her to hand over creative control to her publishers with regards to the books design and the editing process overall- ” I didn’t have a lot of input with the cover and design. Because of my book binding studies, I knew that a book has to be filled with good content and it is not enough to just produce something that looks beautiful. I couldn’t just adopt a ‘let’s get the plot done’ attitude, it had to be vivid and rich and I had that to get on with”
Publishers were justified in their attempts to win Emma’s heart (and signature on a book contract). From the would be publisher who filled a room with Forget- me -Nots, played Maud’s music and posted ‘Elizabeth is Missing’ posters all over their building to the eventual victor, Penguin who gave her hand-written notes from staff members who had read and loved her book, a fierce bidding war led to a good contract and a very bemused and modestly appreciative Emma who hadn’t quite factored in this level of interest.
What made her choose Penguin? “Karolina Sutton (my editor) had a vision of the book that lay closest to mine. I needed someone who would be strict with me especially during the final draft when I couldn’t see the book anymore. Karolina’s feelings about the book mirror my own” The television rights have already been sold and we predict no end of interest should it get made- Maud is a dream of a role for any actor and the other characters are as finely drawn as she is. As women and men choose to have their own families later in life, we will see more and more parents having to simultaneously cope with children still at home and the needs of ageing and maybe infirm parents. A book and programme that reflects this is of immense value.
What would be Emma’s dream cast and how does she think she will react to a dramatisation of her book? “That is SO difficult to answer when you have lived with the characters for so long. It is hard to imagine your characters embodied in another persons ideas about how they might look or be and even harder to imagine Maud on screen. So much of her is within her own head, showing her from the inside, whereas television is much more about the external, not the inner life and it shows that from the outside in”
Emma will be appearing at Jarrold’s book department in Norwich on Tuesday, June 17 at 6pm. Tickets are £3, including a glass of wine, with £3 redeemable off purchases of her book and at the Festival read at Literary Ipswich on Monday 30th June between 7-9 pm at Waterstones in Ipswich. Lesley Dolphin, the BBC Radio Suffolk presenter will be joining in the discussion and featuring ‘Elizabeth is Missing’ in her afternoon book club, BBC Radio Suffolk, 30 June Thank you so much to Emma Healey for this interview and to Lija Kresowaty at Penguin for arranging it. Find Emma’s Website here